Troll #2 likes to tape-record everything like Tricky Dick and then claim that the Constitution protects this as a right somewhere. Last I heard, Jefferson didn't write the Declaration by dictaphone. The necessary and proper clause of the Constitution guarantees to the states all powers not specifically addressed. In the state of Oregon, recording without consent is legal only if you are an officer of the court recording a conversation you are not involved in, where one of the parties consents.
This psycho does it with EVERYBODY, and has proven in that and so many other ways to be twice as crazy as the people he was 'writing' about in his little crime novel he's sat on for thirty years while he fires editors one after the other. (I say'writing' advisedly. He couldn't write a men's room wall. ) FAIL.
I always find the fun ones. Someone find me that baseball bat.
On the bright side, I will be rolling up my sleeves and pitching in at the H.P. Lovecraft Film Festival. We've got some heavy hitters rolling in from the nearly nameless nightmare countries toward the top of the world, folks.
Mike Mignola (just saw 'Hellboy II' at the Bagdad last weekend and my head's still ringing.)
Laird Barron (whose story 'The Imago Sequence' is tied for first place in my own mind with Jeff VanderMeer's 'The Cage' as the finest horror story I've read in twenty years.)
Richard Lupoff (One of the most twisted alternate-history minds New England has ever produced, whose psychedelic interpretation of Lovecraft's works is rivaled only by the late Robert Anton Wilson.)
Brian Lumley (the man who invented the word 'Necroscope', a true class act who wrote me my first, and best ever, rejection letter when I was all of eight years old)
Stanley Sargent (Wait... who the fuck... How did he get in this blog? SECURITY!?!??!!)
All these folks, and many more, will be in attendance. On Saturday night, as it stands now, I am introducing 'The Blair Witch Project' with a very short thumbnail sketch of its connections to the Lovecraftian genre. (You'd be surprised... especially at the Karl Edward Wagner story "Sticks"...)
Sunday night, I get to read a Lovecraft-inspired short called 'The Cat Inside' that I wrote about some of my favorite Lovecraftian unknowns: alcoholism, the incomprehensible feline species, alienation and possession. I will keep this one short, but plan on blogging from the event as things unfold. Crack KUFO suicide squad Cort & Fatboy may be on hand for carnage control as well.
On October 18, I will be reading a story that only Mike "Gutterball" Gardner at Burnside Represent has had the balls to publish. "Leaning Toward This Machine" examines the curious lull in Charles Bukowski's life-cycle as a writer after he first moved to Los Angeles.
Genius is a funny, fluid thing. Love him or hate him, you have to admit that Bukowski had his finger on something. I pointed that finger east instead of West, to New York instead of Los Angeles. Toward a group of hard-drinking, chain-smoking fiends where he would have fit right in: Gernsback's wriggling bastard brood of Post-WWII science fiction writers.
Sure, Buk would have balked at first, but stories like his "The Devil Was Hot" are entirely speculative in nature. Just get him drunk enough first, and...
And America looks passing strange. Scratch Pdx have invited me to read this one again, which I haven't since the old Diet Soap reads at the former Red & Black Cafe.
Must go get back to work. I thought being entirely freelance would be nothing but an endless sea of B-movies and bong hits. Very sadly mistaken there, but I still wouldn't trade it. Stay Tuned...

